Oh, it’s one of THESE episodes…

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Back at the palace, Iago and Abu are comic reliefing too hard. I honestly don’t remember if the two of them trashing rooms in the palace when they start bickering is just a thing they do in multiple episodes or if I just rewatched this episode so many times it felt like it happened in multiple episodes. 

Either way, the humans and the Genie are disappointed and angry, especially when, like a couple kids, they come up with a tall tale about fighting off the monster that made this mess, as though nobody could hear Iago screeching at Abu about how he was going to mess up his day. 

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There’s also a tired bit where the Sultan buys every line of their story because again – this show likes to whiplash between the Sultan being constantly underestimated despite his capabilities and an actual utter manchild. He seems the most willing to forgive Iago and Abu, and I’m going to headcanon here that because they are the obvious children-avatars for this episode, he’s reading that from them too. Maybe he remembers getting into similar fights with siblings. Maybe he’s feeling nostalgic for when Jasmine was wee. 

…Hell, maybe he remains cognizant of the fact that monkeys and birds are among the two messiest pets you can have, sentient or not. It’s a monkey and a parrot, you guys; what do you expect them to do? (Although, seeing it from the standpoint that even with fully developed personalities and an understanding of the English language, they’re animals, and that this might be read as “play” behavior makes it kind of cute.)

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Either way, Aladdin orders them to clean up and we get little glances hinting that the sprites are watching them unnoticed. 

I say “it’s one of these episodes” because if you forget entirely about the opening scene with Carpet, you could read this as the start of one of many “comic relief characters get up to hijinks that lead to misunderstandings when the bad guy shows up” and these were stock Abu and Iago episodes. There’s a lot of them like this, and I won’t be reviewing all of them. 

And it does kind of start that way.

Introducing: The Sprites

Traveling their highest, Carpet and Aladdin draw the attention of something new. Well, several somethings. 

In the first few minutes of the episode, they’re only shown as floating orbs of light making interested cooing noises and giggling and, for perhaps the first time, they are drawn to explore the world below, following our heroes back to Earth. 

These don’t appear to be drawn from any specific folklore, though “sprite” itself is sourced from European folklore to do with elves, fairfolk, etc. As far as I know, the writers just went with a generic word that wasn’t “fairy” for these creatures they invented, and that’s all well and good. If you do some digging you might find a few things that ring similar, though. 

Aladdin and Carpet and their bonding time.

This is one of very few episodes that Carpet is the central character, and I think the only one that even sort of veers in this direction is the Prophet Motive, as Carpet being kidnapped is what gets everything going. However, that one was super focused on Aladdin and his possible imminent death and was not about Carpet’s growth as a character – just his susceptibility to weirdly female-coded rugs. (I still don’t get that – also it’s weird ascribing gender to a living carpet, but you do you, Disney. Since everyone in this episode uses he/him pronouns I’m just going to stick to that.)

The main driving character arc in this episode is focused on Carpet, though, so I’m interested in seeing what they do with that. 

The dialogue in this episode seems to imply that Carpet and Aladdin just go flying alone sometimes just to have fun, and we’re shown what kinds of things they get up to when this happens. 

Trust exercises, mostly, but I’ll go with it. Aladdin practices free-falling and Carpet catches him, and don’t let my shoddy screencaps fool you. For what it is, it’s not badly animated. I remember as a kid feeling like they captured the feeling of flying in the way that movies or tv shows that tapped into that particular magical experience tend to (examples: The Neverending Story, How to Train Your Dragon, Spirited Away) – maybe not with the same budget, but you get me. 

Aladdin challenges Carpet (now against a completely different sky because screw us I guess) to take them even higher, so Carpet carries them above the clouds. Aladdin notes they have never been this high before – all in all we have a nicely packaged little scene that sets the dynamic for the two of them. 

There’s a lot that you could play with in this, especially if you’re a fanfic writer or RPer, regarding what this is for Aladdin. Most of the time when Carpet is in the picture, it’s for getting somewhere. This is one of few times where we see that flying is something that Aladdin likes to do just to let go and relax. This is private time between the two of them, so where the episode is almost purely visual in illustrating this, we can think about how this developed over time, how much we already know Aladdin implicitly trusts Carpet just based on how we see them interact here (but also in previous episodes and movies), and something kind of special develops. 

And tonight, they did something completely new. 

Production Code Episode 64: Love At First Sprite

Welcome back old followers, and welcome new readers! After a very long hiatus, I’m back doing my Aladdin liveblogs. I’m starting back with a title I meant to do for a long time, and I have a few more lined up in its wake for future posts. This one is a Carpet-centric episode, of which there are very few, and this also introduces the Sprites, who will appear in one other episode later that’s pretty relevant to Mozenrath’s timeline, hence why it’s important to get this one out of the way. I do remember really liking this episode when I was a kid, so we’ll see what comes up here. 

Note that all posts for this episode will be under the following tag: 

dvdfairy: love at first sprite 

Want to see more liveblogs? Check the updated Episode Masterlist with all currently-finished episodes. 

Jafar and Mirage: On reviewing some older posts.

When I reviewed Mirage’s first episode, I asked a lot of questions about Iago, because he seems to know a lot about her while Genie does not. Then I got to looking back over my notes on The Lost Ones.

The disappearances related to the El Katib were last a prominent thing seven years prior, when Aladdin was a child. You know, back when Jafar was pretty much running everything. Not coincidentally, Iago also seems to know who the El Katib are when nobody else does and even raised the possibility of Jafar having knowledge. 

We learn by the end of the episode that Mirage commands the El Katib; her hand is what has been guiding them. 

And then it kind of clicked. Of course he would have knowledge, especially if he accepted a boon to have the guards turn a blind eye. 

Now, cobras have multiple species throughout Africa and Asia, so I cannot say with certainty “that looks Egyptian-ish; maybe Jafar got that staff from Mirage” but it would be interesting, wouldn’t it? 

Previous anon .My thought was since Eden would technically ‘belong’ to him he might be more willing to listen since in his mind she couldn’t ‘betray’ him (she totally could but Moze gonna Moze). He lets Xerxes get away with some stuff (stealing the pear in Citadel comes to mind) & since Eden can actually have a conversation I think there could be back and forth. YMMV. But yay Eden. I wish she was in more than two episodes. Aladdin supes needed more female regulars.

It might be something interesting to explore! And agreed on more female regulars being needed. As I said at the end of that liveblog, I think it would have been great if they’d just written Eden and Dandi into the story a little more, maybe in the form I suggested. Adopted dad!Genie would be fun, I think.

Eden’s pretty great. BTW she and Dandi have the same voice actress. Also your musing on Eden’s reactions to different masters makes me want fic AU where Moze finds her and she just Moms him. LIke, Honey no why do you even want ultimate power? You put that cursed book down right now young man and for goodness sake eat something. Dude is so desperate for a friend/unused to being cared about I think he’d go along just from novelty/confusion.(See The Citadel, the Mukhtar, Khartoum, etc.)

I think that Eden would have a better chance if she were not bound to do as he commands. Mozenrath does not like being told what to do and I think he’d use that leash as often as possible. 

And that’s only if he isn’t the sort who has his wishes planned well in advance. He’s smart; at least with a genie, whose magic and limitations are well-documented, he might think to plan out his wishes to be foolproof, so he doesn’t get someone who will not grant wishes in the spirit that they were made (ie, Jafar). So his time with a bound genie might be very short, or very long if his wishes are indepth enough that he can ride out each one’s usefulness for a long time before making the next one.

If I remember, Khartoum was pretty smart and knew how to play against Mozenrath’s ego (and his complete lack of understanding of what he was dealing with). The Mukhtar, I would almost chalk that up to him treating the character like a mercenary who is to be paid and then forgotten and nothing more. He’s kind of the worst judge of character when his base for connecting with people or beings is how useful they can be to him. 

Conclusion: Dandi’s final wish and what could have been

While Genie gets his lamp back and immediately invites Eden to move in with him (and she sounds perfectly happy with that idea), and Dandi says she’d be happy to free Eden, a slip of the tongue and she instead wishes she and Eden can always be together. 

Genie is understandably disappointed, but Eden reassures him that they have eternity to pick things up where they leave off, setting their next date, and that’s our happy ending – Eden gets to look after the child she loves for the rest of her life, something she’s delighted to do. Dandi now has, essentially, a mother, and all is well. 

I think it would have been very interesting, though, to take it in a different direction. Have Dandi point out hey no – you two can still date. Of course you can still date! She likes Genie. She thinks they’re perfect for each other. So take it from there, and if they discuss cohabitating again – hey, why can’t Genie be an adopted dad? Why can’t we have stories of Genie and his kickass wife/soulmate and their adorable adopted daughter? 

Genie’s story within the context of this series is so very much about the family he found/that found him. There is no reason they couldn’t have thought of going in this direction with it eventually. 

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Genie literally shuts off Mal’s wish by taking his batteries out.

Because of course he did. 

In proper Bugs Bunny fashion Eden informs Abis Mal that he can’t expect his wishes to be permanent if he doesn’t say forever. 

Okay, Eden’s priorities with a master obviously differ depending on who she’s dealing with. Sweet kid? She’s an absolute mama bear. If you’re a dick? So’s she. 

Understanding that she can’t kill Aladdin and the Genie for him, Mal has his first brainsmart and wishes her to turn them into bugs so that he can smash and kill them himself. (Truth told, I don’t think even he could do this effectively, and if this were successful, Haroud would probably have to do it.) 

Abu thankfully seizes his moment to take revenge for this fucker stepping on him earlier in the episode, and gets the bottle back to Dandi quick enough for her to stop the wish from happening. 

I also want to point out – as I continue to harp on how that last misunderstanding and the buildup took all of 30 seconds. The chase sequence involving Abu and the villains took LONGER. 

Anyway, Eden’s spell does a U-turn because why not?

And this happens instead. 

I love you, Eden.

Now, as with other previous episodes, we’re left wondering exactly how Abis Mal and Haroud will get back to normal/back home/whatever, because they’re almost always left in some form of comical peril once the credits roll. I think in this case, Eden cast a temporary spell on them (and likely would have cast it on Aladdin and Genie too). Maybe the rule would have been that if they died as bugs they’d return to their original forms and be alive again. 

…In which case, Abis Mal and Haroud are about to have the WORST weekend.