
You might guess from my earlier summary of the film that this might open with a night terror or something similar, but that’s not the case. The setup is, despite being telling instead of showing in most cases, pretty well done, and we get a lot of information just from the way things are said and presented to us. Here we have Dorothy Gale, here played by Fairuza Balk, whom you may remember from things like The Craft and The Waterboy. In the first moments of the film we see her staring listlessly out the window (through the reflection in her mirror, oddly, and this may be significant later), until her Aunt Em comes in, here played by Piper Laurie, whom most of you will remember as Carrie’s mother in Carrie.

Thou shalt not suffer a witch to– ah nevermind.
The clues that we get that Dorothy hasn’t been sleeping comes in the conversation.
“Can’t you sleep? It’s past 1 o’clock in the morning, Dorothy.”
“Aunt Em? I wish I could put my head on my paws and go to sleep like Toto.”
“Soon you will.”
This tells you pretty much all you need to know. Dorothy can’t sleep, and you can tell this has been an ongoing problem just through this little exchange.
I also really just love the “I wish I could put my head on my paws” line because it’s such a clever way of communicating what the problem is and how it’s affecting Dorothy. You can really hear she’s exhausted and wishes she could sleep but has no control over it.
We also get an indication of what “soon you will” means, as we shift to Uncle Henry, looking on and then eying a newspaper clipping in the next room.

Thanks to this, we have a setup without much need for dialogue to explain it. There will be discussion about it – Henry doesn’t understand why they should pay out money they don’t have so some doctor with an unproven new method of healing can prod at their niece, whom they have only recently found again after she disappeared during the twister. (There were reportedly deleted scenes of Uncle Henry going over saved newspaper clippings relating to her earlier disappearance; he feels protective of her. He doesn’t want to send her away.)
Aunt Em makes it clear this isn’t up for discussion. Dorothy hasn’t slept proper in the 6 months since the tornado and she talks about a place that doesn’t exist.
We hear this as Dorothy listens, feeling troubled, and it’s a nice, “quiet” moment for her (despite talking happening in the other room) where we can wonder on what she must be thinking, hearing her guardians speak of things she’s “doing” but can’t conceivably stop.

I like it because I like moments where they show children being aware of the problems adults have, even aware of their contribution (or lack thereof) to a problem.
Outside her window, there is a shooting star. Dorothy and Toto take notice, as this foreshadows the events that will move us forward.












