You know what this movie needs? Gilbert Gottfried singing. Also a bit of headcanon.

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I sense that this movie is going to become very loud here in a moment.

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Okay, I know this is a pilot for a kid’s show and suspension of disbelief tends to float rather high and all – but consider this: Iago apparently dug himself and the lamp out of the cave of wonders – y’know, that cave that happens to go pretty deep if its original opening was a tiger’s head several stories tall that sinks and is completely buried by sand when not in use.

But Iago dug his way out.

Without suffocating.

Given how often he screams I’m actually not at all surprised he has supernatural lung capacity.

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And then the hopping Jafar lamp demands that Iago release him so he can have his revenge. Iago’s not taking any of that because this is probably the first and only time Jafar’s been smaller than he is. But here’s where the headcanon comes in:

“If it weren’t for me you’d still be at the bazaar squawking ‘polly want a cracker!’”

I’ve always had it in my head that in this universe a familiar tends to reflect the level of progress a magician has made in developing their own magical potential. They form a bond with an animal and they know they’re advancing based on the animal’s development of sentience and grasp of human language. Xerxes, Mozenrath’s familiar from the TV series, would be another reflection of this. Clearly self-aware and has free will but speaks in broken sentences, suggesting, perhaps, that Mozenrath still has a way to go before he’s reached his full potential. Abu if interpreted as a familiar suggests this as well (especially since in Two To Tangle it is established that Aladdin has latent, completely untapped magic in him). Self-aware, and generally only able to communicate in screeches with the occasional almost human sounding words.

What this would imply is that Iago, who is self-aware and has a fully developed grasp of language, critical thinking, and reasoning, is a reflection of Jafar’s potential before he found the lamp. And let’s be serious, here: Jafar sucked as a magic user before he got hold of the lamp, and he probably knew it. All of his abilities displayed are because the objects he carries have some power themselves, not because he’s making them work. Holding to headcanon, he wanted the lamp to take over Agrabah, but he also needed it to exceed his own magical potential.

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Also, apparently there’s a well. Right by where the Cave of Wonders is. Wonder why we missed that in the movie. Or why Jafar needed the scarab to find the place.

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Oh, we’re gonna sing now?

Let me be the first to say, here, that Gilbert Gottfried is an amazing vocalist with a ridiculous range as far as speaking and acting are concerned, and I’ve never had the pleasure of hearing him sing in anything but the “typical” voice people are used to, but that’s totally not his standard voice. Also, he is a remarkable impressionist. So I’m willing to bet that this is a case of the character and not his true singing voice. In fact I wouldn’t be at all surprised if he busted out a standard from the Great American Songbook and sounded better than fucking Sinatra. I genuinely think he’s that talented because it is REALLY REALLY HARD to sing loud and clear and on key when you’re doing a voice like this one.

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But my God, it just keeps going.

Alternate title: Aladdin might be an asshole

Okay so then Aladdin shows up and beats the tar out of these guys.

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Ehhh whatever.

I like the character. I do. I appreciate that he’s genuinely flawed, but there is a lot wrong with this setup.

These guys just came in and are talking about what a great heist it was. They obviously stole this shit from people. And may have used violence to do so. We get the impression that Aladdin followed them there.

Soooo, why didn’t he intervene when they were stealing this stuff? Did anybody get hurt? Do we have to assume that these guys who were just about to kill their leader before he showed up went about stealing all of this treasure the nice way?

Or was Aladdin only interested in taking this stuff?

Also:

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I DIDN’T SIGN UP FOR THIS SHIT.

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Oh look! The animation they’ll reuse for the TV opening!

This sequence is really underwhelming. They’re pretty much trying to echo the opening from the original (without the obviously racist lyrics), but it kind of crashes and burns. The original had pacing, and the visuals went with the music. In this opening, you get a lot of shots of guys riding on horses with no dynamic shots, no attention to musical cues, etc. There is no attempt to make the visuals match the music or create an engaging, exciting scene to watch. The music plays, and these guys just ride horses. Not the sort of thing you notice as a kid, but there you go.

And then we’re introduced to the secondary villain of the movie and one of the most featured villains from the TV series:

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Abis Mal. And take a second to read that name if you don’t already get that it’s a terrible pun. (I kind of secretly hope that when other countries make cartoons and tv shows featuring American characters they do the same thing to their characters, because that’s the only thing that could make this fair. This, by the way, is still not the worst name pun in the series.)

Of all the Aladdin villains, this guy is featured in more episodes than any featuring the two runners up combined. And the Aladdin rogues gallery rivals that of Batman, so the only reason I can come up for this is that Jason Alexander was under contract and by golly, they were going to use him.

(It was also really nice of Jim Cummings to voice pretty much every one of his minions.)

Also, I really want to know how this dunderhead gets people to follow him. Also, I really want to know how he managed to steal this sweet hideout from one of the Daedric princes in Skyrim:

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And speaking of racism:

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Disney you are not even trying to be subtle are you.

A Short Introductory Post

Welcome to the DVD Fairy blog! To tell you a little about myself, I teach college English and do a little freelance editing between semesters. I talk a lot of politics on my main blog so this is a space for geeking out, at length, about some of my fandom favorites, and while I’ll initially be focusing on TV shows I will probably branch out to movies from time to time.

Thank you for the follows if you feel so inclined, and prepare for a lot of screencaps and rambling.