Production Code Episode 18 – My Fair Aladdin

Surprise, I decided to do another Mechanicles episode! My roommate mentioned liking this one, and because I didn’t give his episodes a lot of chances as a kid, this is one I haven’t seen from beginning to end. I thought I’d watch it through before doing the full liveblog, but I realized there were things I wanted to talk about pretty much from the beginning, so here we go!

Since it’s a Mechanicles episode I’m going to go ahead and warn in advance for potential ableism or sanism, based upon what I observed the last time I did one of his episodes. No seriously.

The only criticism I have for this character is that the writing normalizes treating OCPD as a laughing matter.

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Yes, I said OCPD and not OCD, which it’s often mistaken for. In fact I’m willing to bet most Aladdin fans who know of this character have described him as OCD at least once. Even I almost did before I stopped and double-checked. Surprise: He’s not.

OCPD, or obsessive compulsive personality disorder, differs from OCD in that OCD behaviors go against the sufferer’s concept of self, causing them extreme distress, whereas OCPD behaviors are compatible with said self-image and therefore seen as rational and good behaviors (x). OCD sufferers see their behaviors as abnormal whereas one with OCPD can explain their behaviors as normal and would be extremely resistant to accept otherwise. In fact their concept of their views and those that don’t perfectly align with theirs can be so polarized they might think you’re a jerk for even suggesting there’s something wrong with their behavior.

OCPD is specifically associated with extreme perfectionism and an all-powerful need to control one’s environment down to the most minute of details. 

The DSM states that OCPD displays the following symptoms, when four or more are present:

  1. is preoccupied with details, rules, lists, order, organization, or schedules to the extent that the major point of the activity is lost
  2. shows perfectionism that interferes with task completion (e.g., is unable to complete a project because his or her own overly strict standards are not met)
  3. is excessively devoted to work and productivity to the exclusion of leisure activities and friendships (not accounted for by obvious economic necessity)
  4. is overconscientious, scrupulous, and inflexible about matters of morality, ethics, or values (not accounted for by cultural or religious identification)
  5. is unable to discard worn-out or worthless objects even when they have no sentimental value
  6. is reluctant to delegate tasks or to work with others unless they submit to exactly his or her way of doing things
  7. adopts a miserly spending style toward both self and others; money is viewed as something to be hoarded for future catastrophes
  8. shows rigidity and stubbornness

The article goes on to describe that some cases are also obsessed with cleanliness.

If you look through the article linked you’ll note there are several other means of classification and sub-classes, etc.

But no, what we’re looking at, here, was the template for this character. On one hand, it’s interesting seeing how the character functions – many of these symptoms perfectly explain his use of hand-made henchmen rather than people, potential reasons why he wouldn’t have stayed in Greece, etc – but on the other, the writing here, along with other pop cultural portrayals of OCPD and similar disorders, creates an environment where the audience is supposed to laugh at something the character can’t actually help or control.

For the record, I do find the character funny. I don’t find him funny when what’s being used for the joke is an obvious nod toward his disorder. I do find him funny when he’s actually being funny. More on this as it comes up. He has lines that I still laugh at when I think of them.

Mechanicles’ introduction to our heroes, Greek philosophers, and that pesky crossover with Hercules

“Archimedes? Amateur. Socrates? All talk.”

Y’know, I know they made this long before a Hercules cartoon was ever in production but I want you to think about that. Hercules is not in school yet when this cartoon takes place because that crossover doesn’t even happen until AFTER Aladdin and Jasmine are married. Presumably Hercules doesn’t even know he’s a god yet.

Why am I bringing this up? Because these people are being spoken about like they were all walking around at the same time, or their time has passed.

The mind boggles. Now Socrates I can let slide because he references Plato later, who was a student of Socrates so presumably Socrates is already dead at this point having been executed for having unpopular opinions.

And given that Mechanicles is an obvious expatriate, I wonder what his opinions of the man are in spite of his bragging. Socrates chose to die rather than accept exile or something worse because he was a patriot to the greatest extreme. He risked his life and went to war for his country and he accepted their death sentence as he believed a loyal Greek should, even though he made clear that he did not agree with the sentence.

Mechanicles’ pride for his Greek routes which comes up more than once in the series is wholly secondary to his plans for world domination. His inventions are not for the glory of his city state. They’re for himself.

Basically what I’m saying is that a crossover with Hercules that featured him and maybe explained why he left Greece in the first place would have been really interesting.

Production Code Episode #15: Getting the Bugs Out

The first Mechanicles episode. I did not like this character very much when I was younger – I kind of had to be in the mood for him. My mind has changed some partially because as an adult I find his snobbery and antics way more funny but also because one of my roommates got me to give him another chance. (And I think that Disney made a huge mistake not featuring this character in a Hercules crossover.)

Oh, and alternate title: “Aladdin Deserves Every Bad Thing That Happens To Him: The Sequel.”